Political activist Concha Michel was born in Villa de Purificación, Jalisco. People described her as “ungovernable” as a child but fell in love with music early, learning to sing and play guitar at a Catholic convent founded by her grandfather. Known for her indigenous Mexican attire, Michel wore embroidered dresses with braided hair in the style of Mexico’s Tehuana women. She traveled throughout Mexico learning traditional songs and singing her own corridos revolucionarios or revolutionary ballads, becoming one of the few women singing this traditional Mexican form at the time. During the 1930s she traveled to the United States where she performed at the Museum of Modern Art and the Rockefeller’s grand home. Proceeds of her performances paid for trips to Europe and the Soviet Union, where she met feminist thinkers like Clara Zetkin and Alexandra Kollontai. In 1950, she established the Folklore Institute in Morelia, Michoacán, part of a lifelong effort to preserve Mexico’s indigenous culture. As she put it in her autobiography, “The world was my university; my graduation, voluntary. My experience was direct, confirmed by life.”